Piper Kerman

Orange is The New Black

One Year in a Women's Prison

Spiegel & Grau, January 2010

If you met Piper Kerman in the early years of this decade, you'd have met a spirited young woman in her early 30s, an attractive, blonde, blue-eyed, Smith graduate thriving in her career as a creative director, leading an exuberant life with an interesting collection of downtown friends, engaged to a magazine editor - in short, a young urbanite who had her life completely together.

But if you met Piper Kerman in 2004, you'd have met her in an orange jumpsuit, serving a fifteen-month sentence at "Club Fed", in the infamous women's Federal correctional facility in Danbury - a sharp left turn in her life that came about when the mistakes of an adventurous youth caught up with her, in the form of a Federal indictment on a ten year-old narcotics charge.

ORANGE IS THE NEW BLACK: My Year at "Club Fed" is not a story of the wrongly imprisoned - Piper did the crime, and did the time. But she does have a unique perspective on the experience of women in the Federal prison system, and has given us a compelling, richly detailed, often hilarious and unfailingly compassionate portrait of life on the inside.

Make no mistake - this is not your ordinary prison memoir. Readers will be drawn to the story of an unexpected community of women, filled with characters as eccentric and vividly-drawn as the denizens of John Berendt's Savannah; to the humor and unexpected humanity that can be found in the most unlikely settings, as in Josh Killmer-Purcell's I AM NOT MYSELF TODAY; and to a sympathetic and endlessly surprising look at a world we'll never hear about from Martha Stewart (though Martha would confirm the inventiveness of illegal prison cookery - see microwave cheesecake recipe, p 63) - a world in which most readers could never imagine themselves, without a narrator like Piper Kerman.

“Orange Is the New Black is destined to become a classic in this genre. In its introspective tone, it is more similar to South African anti-apartheid activist Albie Sachs's Jail Diary than it is to, say, Mumia Abu-Jamal's denunciatory communiqés from Pennsylvania's death row. From time to time she does lambast The Man, mocking the absurdities of current incarceration practices and the politics behind them. Yet the bulk of Kerman's narrative is a journey of self-discovery, describing how one can find one's true strengths during moments of adversity. It is akin to the great blues songs, written by Lead Belly and other prisoner troubadours, which Perkinson quotes so admiringly in his work on Texas.”
—Columbia Journalism Review
“Orange Is the New Black is destined to become a classic in this genre. In its introspective tone, it is more similar to South African anti-apartheid activist Albie Sachs's Jail Diary than it is to, say, Mumia Abu-Jamal's denunciatory communiqés from Pennsylvania's death row. From time to time she does lambast The Man, mocking the absurdities of current incarceration practices and the politics behind them. Yet the bulk of Kerman's narrative is a journey of self-discovery, describing how one can find one's true strengths during moments of adversity. It is akin to the great blues songs, written by Lead Belly and other prisoner troubadours, which Perkinson quotes so admiringly in his work on Texas.”
—Columbia Journalism Review
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Agent: Stuart Krichevsky